Bhramam film evaluate: Prithviraj delivers an gratifying remake of Andhadhun

Bhramam is the second southern remake of the Bollywood hit Andhadhun. Maestro that was launched earlier made me query the purpose of remakes when filmmakers don’t have anything of worth so as to add to them. After struggling by the Telugu remake, I dreaded the considered sitting by one other model of Andhadhun. I questioned what contemporary angle would Ravi Okay. Chandran have to supply to the viewers.
Unlike the Telugu remake Maestro, the makers of Bhramam haven’t altered the very DNA of the unique, by turning this film right into a hero’s journey. Instead, Bhramam doubles down on the amorality of the protagonist, reinvigorating the narration with some much-needed freshness.

Ravi Okay. Chandran has tipped the steadiness of energy principally in favour of Ray Mathews (Prithviraj). Unlike Akash in Andhadhun, Ray seems extra in charge of the scenario that occurs within the aftermath of the lack of his imaginative and prescient. Ray doesn’t have excessive ethical causes to cease Simi (Mamta Mohandas) and her beefed-up lover Abhinav (Unni Mukundan). He is solely motivated by his must survive and get even with those that wronged him. There isn’t any helpless lady within the nook ready for Ray to look in his shining armour as we noticed in Maestro.
In truth, Ray is extra depraved than Ayushmann Khurrana’s Akash. The unique movie was a narrative a few man who pretends to be blind to guard him from otherworldly temptations that might disturb his focus from music. Ray, nevertheless, acts like a blind man to take advantage of the social and financial advantages earmarked for folks with disabilities. He is upset that he misplaced a instructing job to a lesser certified individual solely as a result of he has the present of sight, which the latter didn’t. He is quite a bit meaner and egocentric than the earlier two variations of his character.
Ray is so nasty that he’s keen to actual a heavy toll on Simi for blinding him by overtly expressing his curiosity to reap her cornea for his personal sake. This specific wickedness of Ray provides an edge to the narrative.

Ravi Okay. Chandran has additionally packed little surprises that form of subverts our information of the unfolding story. For instance, Ray’s true intention behind pretending to be blind. Or the parkour expertise demonstrated by an unheroic character. There are little issues that boost our expertise and even subvert our expectations. These new additions additionally level in direction of the mindfulness of the makers to innovate with the fabric as a lot as they might.