Dheeran, a Malayalam film directed by Devadath Shaji, presents a challenging viewing experience. The film, despite its flaws, attempts to juggle numerous characters, none of whom fully resonate with the audience. The film feels overwhelmed by these quirky personalities.
The film doesn’t offer much opportunity to connect with the characters. The storytelling quickly introduces the characters and their eccentricities. There is a character who loves Hindi songs. Another character’s wife leaves him, and when he meets her and her new partner, he is surprisingly understanding. Despite the chaos, there are some interesting moments.
The characters, representing different perspectives, don’t integrate into the overall plot. They remain isolated elements, contributing little to the main narrative.
The focus of the film is Eldhose (Rajesh Madhavan), known for his comedic roles. Here, he is placed in situations that should be comedic but turn horrific. A man is burned alive.
The film looks at migrant issues with directness as Eldhose goes to Tamil Nadu to work for a gangster (Vineeth) who sells perfume. This could have been an opportunity for satire, but this is not explored.
The tone shifts, never settling on one style. The film doesn’t seem sure of itself. When news of Eldhose’s death reaches his village, a group sets off to retrieve his body, transitioning the narrative into a road film.
However, it is not a road movie or a dark comedy. The story includes a flashback about a gangster’s conflict with Eldhose. This is the weakest section of the plot. The attempt to merge a road movie with a gangster film doesn’t succeed.
This crime drama has the potential to be good, but the plot is overstuffed.