A Review of ‘On Swift Horses’: Exploring the Complexities of Desire and Relationships

Daniel Minahan’s *On Swift Horses* is a movie that produced mixed reactions. Although it’s not an outright failure, some story elements appear underdeveloped. The movie’s ability to evoke strong sentiments highlights its potential, but the film is not successful in its portrayal of ‘forbidden love’ in the 1950s. The narrative encounters numerous issues. The portrayal of Muriel, the main character, is reminiscent of Charulata. Her desires are unmet. The arrival of her brother-in-law triggers her desires. Julius’s experiences in Las Vegas, especially with Henry, are more compelling than other aspects of the movie. The relationship between Muriel and Lee is simply there to serve the story. The distinctions between Lee and Julius are emphasized, and this motivates Muriel’s attraction towards her brother-in-law. The film is filled with a melancholic and passionate atmosphere. The narrative is contrived. The addition of a secret relationship for Muriel with her neighbor, Sandra, introduces another layer of complexity. Some instances of the fragile connections found in *On Swift Horses* are undermined by weak writing. The actors and their performances warrant a more compelling narrative.